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BNA: An Ambitiously Flawed Furry Extravaganza

I have complicated feelings about Trigger. As the offshoot of the legendary Studio Gainax, their projects are stylized and ambitious but sometimes lack consistency. For every time they’ve knocked it out of the park with a Kill la Kill or Little Witch Academia, they’ve whiffed with a Darling in the FranXX. Their latest anime, BNA, is somewhere in the middle. It’s got fun characters and important things to say, but the pacing and lack of focus make it not quite as amazing as it really should be.

The opening is great though, and gets stuck in my head at the worst possible – HEY! ARE YOU! READY! TO! GO?!?

Furry anime has become a trend this year, with the recent Beastars and Gleipnir making waves for their dark, subversive takes on animal people. BNA is a bit more conventional – it’s basically X-Men meets Zootopia, with whole bunch of Trigger all over it. In this world, Beastmen are systematically oppressed by the human majority, and have founded their own city named (UGH) Animacity separate from human civilization. Our hero, Michiru, is a young human girl who spontaneously transforms into a tanuki Beastman and travels to Animacity to find a way to become human again.

A tanuki! Not a raccoon! They even say so in the first episode!

So yeah, BNA is hella political, and I have mixed feelings about it. Many fantasy and sci-fi series comment on real-world sociopolitical issues, and this can work well with smart, consistent writing. But any time you use fictional humanoid creatures to talk about issues like discrimination, you run the risk of muddying the message or coming off as condescending to people who have experienced those things in real life. If “fantastic racism” tropes aren’t your thing, BNA might be dead in the water for you. At least the Beastmen are distinct and varied enough to not be a 1-to-1 analogy of a real marginalized group, unlike a certain other Netflix property I could mention…

BRIGHT And The History Of Racialized High-Fantasy | Birth.Movies ...
Why are the orcs wearing du-rags – oh…

Still, I was totally onboard for BNA’s first half. Trigger’s signature style of over the top action with wacky cartoon physics works great here, and I love the blue and purple aesthetic. The music is great too, especially the vaporwave-inspired ED “Night Running”. It’s a real song in the story and plays at key scenes to highlight Michiru and her childhood friend/rival/secret lover Nazuna’s isolation from each other in this new, confusing world.

Okay, now I’m getting hair envy over a fox. Anime isn’t fair y’all…

The main characters aren’t too complex, but they’re all interesting and relatable in their own ways. Michiru is basically Akko’s fursona – dumb, hyperactive, more than a little over her head, but so big-hearted and determined you can’t help but root for her. Shirou is the gruff mentor with a heart of gold, a total badass and a very good boy. And Nazuna is an idol in every sense of the word, a morally ambiguous antihero who deserved way more screen time than she was given.

There’s also Jackie, who is basically Mako from Kill la Kill as a genderfluid teddy bear. I love her (them?)

Around the halfway point, though, things start falling apart. As if systemic oppression of Beastmen wasn’t bad enough, we also have an evil religious cult, an evil pharmaceutical company, government corruption, mob mentality, and the brainwashing effects of pop music to worry about! To put it mildly, it’s a bit much for a 12-episode anime. Constant new reveals take up so much of the last half that there’s barely time to focus on the characters. By the end, the pacing becomes so fast and haphazard that the obligatory Gurren Lagann-esque action climax feels like mindless noise instead of a triumph.

Shirou’s badass in it, though, so it’s not a total wash

But despite its flaws, I still had a good time with BNA. It’s far from Trigger’s best series, but the unique style and charming characters are enough for me to forgive its plot and pacing issues. There are a lot of spectacular fight scenes, and a darkly hilarious episode where Michiru joins a baseball team. It feels like a superhero show, only starring an adorkable tanuki girl instead of a big muscly dude who solves everything with his fists. Despite the muddled message, I believe it’s heart was in the right place. And it gave us the adorable trainwreck lesbian furry couple we all need and deserve in this world, so I can’t hate it too much.


4 thoughts on “BNA: An Ambitiously Flawed Furry Extravaganza

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  1. I just concluded the show today and I feel mostly the same way you did.
    I do think their political analogy did not always work because of how beastman instinct works and that having no real place in functional society so at times I felt like they were complaining for very invalid reasons for example. The Albatross episode is a good example where to fly around all you need is to get a form..but it tainted their freedom so now they just fly around unauthorised..and govements should accept it because they are albatross.
    So I do think they did not think this trough all the way and some of the “racism” was. I guess it tries to show the two way street a bit, but I don’t think that they did it very well.. they lacked the other perspective from that but just added a bully on the beastman side in the end really forcefully.

    I kept forgetting Jackie’s name! I really liked the character for the most part! Especially in that last episode and the baseball episode!

    It was fine, though I never saw the characters as furry myself! But maybe that is just my demi-sexual nature there! I never saw it as sexy or doing anything in that manner? I think politically non of their messages hit home for me. Like all the ones but racism were barely given time to breathe but over all a fairly solid series that is just amusing and not deep.

    Liked by 1 person

    1. Yeah for me the racism allegory doesn’t quite work because… well, Beastmen are not the same as humans! They are much stronger, humans didn’t know they existed until recently, and their biology is very different. Whereas with human discrimination, there is only a 0.1 percent genetic difference between each of us. We all have a lot more in common than not. The problem comes from societal constructs and thousands of years of tribalist instincts teaching us to fear and resent anyone who is even slightly different.

      I think if they really wanted a heavily political angle, couldn’t they have made it about animal welfare instead? You know, since the show is about animal people, and humans haven’t had the best track record of treating our livestock humanely. I know that’s not as much of a “hot button” issue these days, but I think that might have gotten the message across a bit better.

      I didn’t mean furry as like a sexual thing, it was more like, they are literally furry animals 😅 probably a bad choice of words on my part haha

      Liked by 1 person

  2. When I warched this I thought it was about transgender people and their struggle to blend in cause they can blend in as any other person but if they’re not careful people will find out and then the discrimination happens. And that tanuki girl was like a trans person that didnt pass for a few episodes.

    Liked by 1 person

    1. Interesting, I thought Michuru could be trans at the beginning too! I don’t think it’s meant to be a 1 to 1 analogy of any specific group of people though, I kinda felt like it was just talking about prejudice in general


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